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25.10		Трибьют-шоу ABBIA: "ABBA - это просто красиво!"
24.09		John and Yoko - the people behind the music
14.08		Обложка альбома "Abbey Road": за кулисами самой известной фотографии The Beatles

Awopbopaloobop Alopbamboom: The Golden Age Of Rock (1969) - Contents, Introduction, Chapters 1; 2

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Awopbopaloobop Alopbamboom: The Golden Age Of Rock (1969) - Contents, Introduction, Chapters 1; 2
Автор: Beatles.ru Дата: 08.01.17 01:31:22

Цитата

Nik Cohn

AWOPBOPALOOBOP ALOPBAMBOOM

The Golden Age of Rock

GROVE PRESS

New York

To Jet Powers, Dean Angel and Johnny Ace

Copyright © 1969 by Nik Cohn Preface copyright © 1996 by Nik Cohn

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.

First published in 1970 in Great Britain by Paladin Press, in St. Albans, Herts, UK. Revised edition published by Paladin Press in 1973 .

This edition is published by special arrangement with the Perseus Books Group

Published simultaneously in Canada Printed in the United Slates of America

FIRST GROVE PRESS EDITION

Library of Congress Cataloging-in-Publication Data Cohn, Nik.

Awopbopaloobop alopbamboom : the golden age of rock / Nik Cohn.

p. cm.

Originally published: New York : Da Capo Press, 1996 (reprint of the ed published: England : Paladin, 1970 (1973 printing)).

Includes index.

ISBN 0-8021-3830-6

1. Rock music—To 1961—History and criticism 2. Rock music— 1961-1970—History and criticism. I. Title.

NL3534 .C636 2001

781.66’09—dc21 2001046017

Grove Press

841 Broadway

New York, NY 10003

01 02 03 04 10 9 8 7 6 5 4 3 2 1

Contents

Introduction by Kit Lambert 9

1 Roots 11

2 Bill Haley 18

3 Elvis Presley 23

4 Classic Rock 31

5 Highschool 52

6 Eddie Cochran 58

7 English Rock 61

8 Rue Morgue 75

9 The Twist 86

10 Spectorsound 93

11 California 99

12 Soul 109

13 The Beatles 129

14 Merseybeat 147

15 The Rolling Stones 150

16 R&B England 162

17 Bob Dylan 168

18 The Who 175

19 England After The Beatles: Mod 182

20 P. J. Proby 196

21 America After The Beatles: Anglophilia, Bacharach and Folk/Rock 202

22 The Monkees 214

23 Love 218

24 England 1966 228

25 Ending 241

26 Afterthoughts 244

Acknowledgements 247

Index 248

Introduction

Nik Cohn has chosen a grim and appropriate moment to make this brilliantly clear, aerial survey of the Pop World. Out in the audience, too many British teenagers are listening dutifully to their Government-approved diet of ballads and recipes: on stage, the scene is a little brighter. Key musicians are playing for other key musicians. The Beatles and the Stones, seemingly, have become too vast and trunkless ever to play at all. I hope this book will not be thought of in five years* time as the definitive history of a forgotten age. Fortunately, Nik is no obituarist: anyway, if he did write your obituary you’d be better off dead.

He showed up about 1965. The Beatles were into their first million, the disgruntled Rolling Stones were touring USA circuses, billed virtually as a freak show, and a nervous Carnaby Street tailor had just refused to put his scissors into a large Union Jack, which was meant to wind up as stage- clothes for the Who, when a thin young man - he looked about 14 - wearing carefully dirtied-down sneakers, grabbed me in Wardour Street and informed me that he was writing an article for the Sunday Times. I believed him a lot. He landed up in a Chinese restaurant, interviewing the Merseybeats.

But a major article did appear quite soon in the Sunday Times. It revealed a knowledge of Pop (and a rudeness about it) which was fairly frightening. Then came a series of tough and highly partisan record reviews in Queen. He mastered the art of the loving clinch which turned into the killing punch, making enemies along the line. There were accusations of intellectual - even cash - payola. But Nik just got forgiven without getting cynical.

He has been described as the speed-writer of Pop. Halfmartyr to his own myth, he sprints across the gilded landscape, although his feet are bleeding inside the carefully dirtied- down sneakers. At least, I hope they arc: you see he is very bright, he knows too much and he still doesn’t shave.

KIT LAMBERT

Co-manager of the Who

Co-director of Track Records

1 Roots

Modern pop began with rock ’n’ roll in the middle fifties and, basically, it was a mixture of two traditions - Negro rhythm 'n' blues and white romantic crooning, coloured beat and white sentiment.

What was new about it was its aggression, its sexuality, its sheer noise and most of this came from its beat. This was bigger and louder than any beat before it, simply because it was amplified. Mostly, pop boiled down to electric guitars.

Of course, electric guitars were nothing new in themselves - they had been around for years in jazz and R&B and had even been featured on some white hits, notably those by Les Paul, but they had never been used as bedrock, as the basis of a whole music. Crude, powerful, infinitely loud, they came on like space-age musical monsters and, immediately, they wiped out all of the politeness that had gone before.

Pre-pop, from the thirties on, dance music had got bogged down in the palais age - the golden era of the big bands, when everything was soft, warm, sentimental, when everything was make-believe.

It’s one of the cliched laws of showbiz that entertainment gets s...

https://www.beatles.ru/books/articles.asp?article_id=2062

Обсуждение статьи: "Обсуждение новости: "Awopbopaloobop Alopbamboom: The Golden Age Of Rock (1969) - Contents, Introduction, Chapters 1; 2""
Автор: Elicaster Дата: 08.01.17 01:31:23